Official Album Cover (Click to switch)
| Album by BITWASHERE | |
|---|---|
| Released | November 21, 2025 |
| Recorded | 2023–2025 |
| Genre | Jungle, Drum 'n' bass, Experimental Electronic |
| Length | 16:17 |
| Label | Self-Released / PDNS RECORDS |
| Producer | BITWASHERE |
BITWASHERE chronology
| ← DEATH OF INNOCENCE (2025) |
✯ Somewhere The Stars Align ✰
✯ Somewhere The Stars Align ✰ is the forth album (including Bored at a Rave v2 as the first had 4 tracks) by Canadian experimental electronic music producer and artist BITWASHERE, released on November 21st, 2025. The album is classified primarily as Jungle and Drum 'n' bass (DNB) and continues the artist's signature blend of high-intensity electronic sound with highly personal, confrontational lyrical themes.
Background and Development
- Prior Work: The album follows the artist's critically acclaimed prior album, DEATH OF INNOCENCE.
- Artistic Culmination: The project represents her visual and sonic commitment to an "unapologetic picture" of her identity and the realization of her personal power. Her music is rooted in the high-energy Canadian rave scene, Especially the chaotic "Calgarian Underground punk underground scene"
- Collaboration: The album features a cross-genre collaboration with the Calgary band ADOPTION on the track "Someday We Will Make It Outta Here". The band's founder, Daniel Tadic, is credited on the track and described the collaborative piece as a "Lil ambient track" [Via Instagram] Which is out of genre for the both of them..
- Release Change: This album replaced the previously teased 12 song project, Your Dream, My Nightmare!, which was initially slated for a Christmas release, via instagram. The cover art for the unreleased project is available below:
Click to show cover art
Chart Performance
All places this album has charted, based on two weeks of play (**) and total play:
- (Debut) **#5 on the Electronic Chart (CJSW) on December 3rd, 2025.
Composition and Themes
The album features a series of explicit, stream-of-consciousness titles that address intense personal and cultural themes:
- Dependency and Stimulant Culture: Tracks on the album directly confront issues of substance dependency and the use of popular energy supplements and oral nicotine products associated with high-intensity electronic music culture.
- Artistic Vulnerability: Tracks like "I'm Sorry Women" and "I Hate Music!" explore themes that "aren't always comfortable".
Cover Art and Visuals
The official album cover features a close-up, dimly lit portrait of her, with a cigarette held between her lips. Her expression is direct, gazing forward, framed by dark hair and clothing. The lighting creates a stark contrast, highlighting her face and the cigarette, while the background recedes into shadow. This moody and intimate image was captured inside of a car, adding to its raw and personal feel. And the fact that she tends to not show her face due to her tendancy to stay more anonymous An alternate, version of this artwork, with her holding the cigarette posed is available via clicking the infobox image.
Pop Culture References
The album's song titles frequently break conventional naming practices by including specific brand names and cultural slang to contextualize its themes:
- Zyn machine cruncher & Monster: These phrases, found in the title **"addiction returns, monster, zyn machine cruncher,"** refer to Zyn (nicotine pouches) and Monster Energy (energy drinks) which she frequently posts about on Instagram. Grouped together, they signify the compulsive use of common commercial stimulants and place the song's theme of addiction squarely within the high-energy rave/electronic music subculture.
- **"I'm Sorry Women":** The track title is an ironic reference to the popular Diary of a Wimpy Kid series. The irony specifically mirrors the self-centered, insincere apologies often delivered by the character **Rodrick Heffley**, highlighting a theme of insensitivity or sarcasm.
Track Listing
All tracks are produced by BITWASHERE. Total running time is **16:17**.
| No. | Title | Length | Notes |
|---|---|---|---|
| 1. | "Someday We Will Make It Outta Here" (feat. Adoption) | 2:12 | Ambient collaboration with the Calgary band ADOPTION. |
| 2. | "I'm Sorry Women" | 2:17 | See pop culture section |
| 3. | "addiction returns, monster, zyn machine cruncher" | 2:12 | Instrumental track. Explicit track title referencing commercial stimulants, contrasting with the harder drugs mentioned in track 7. |
| 4. | "I Hate Music!" | 1:51 | Instrumental track |
| 5. | "Perverted Minds See Perverted Things" | 1:41 | Instrumental Track |
| 6. | "Perverted Minds See Perverted Things (VIP EDIT)" | 1:41 | Instrumental track |
| 7. | "Effects Of Drugs And It's Effects On Memory Loss And Cognitive Function" | 2:20 | A demo version was initially released on Bandcamp in 2023. Instrumental track |
| 8. | "I Forgot :(" | 2:03 | DNB track. With a sample repeating "You are, unforgetable" |
Personnel
- **BITWASHERE** – Producer, Composer, Primary Vocals
- **ADOPTION** – Featured Band, preformed with BIT on seprate times
- **Daniel Tadic** (of ADOPTION) – Featured Collaborator on "Someday We Will Make It Outta Here"
